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Oil Paintings Come From United Kingdom
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Jean Marc Nattier
1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

 

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Jean Marc Nattier Thalia oil painting

Painting ID::  82272

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Jean Marc Nattier
Thalia
1739 Medium Oil on canvas Dimensions 135.9 x 124.5 cm cyf
   
   
     

 

 

Jean Marc Nattier Portrait of Charlotte Louise de Rohan as a vestal virgin oil painting

Painting ID::  82395

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Jean Marc Nattier
Portrait of Charlotte Louise de Rohan as a vestal virgin
Date ca. 1737(1737) Medium Oil cyf
   
   
     

 

 

Jean Marc Nattier Anne de Bourbon oil painting

Painting ID::  82738

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Jean Marc Nattier
Anne de Bourbon
Date 1731 cyf
   
   
     

 

 

Jean Marc Nattier daughter of Philippe II oil painting

Painting ID::  82811

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Jean Marc Nattier
daughter of Philippe II
Date 1731 cyf
   
   
     

 

 

Jean Marc Nattier Marc Nattier oil painting

Painting ID::  82856

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Jean Marc Nattier
Marc Nattier
after 1750(1750) Medium Oil on canvas Dimensions 103 x 120 cm (40.6 x 47.2 in) cyf
   
   
     

 

 

Jean Marc Nattier Mademoiselle de Sens oil painting

Painting ID::  84777

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Jean Marc Nattier
Mademoiselle de Sens
Oil on canvas Dimensions 81 x 65 cm (31.9 x 25.6 in) cyf
   
   
     

 

 

Jean Marc Nattier Thalia Muse of Comedy oil painting

Painting ID::  90014

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Jean Marc Nattier
Thalia Muse of Comedy
1739 Medium oil on canvas Dimensions 135.9 x 124.5 cm cyf
   
   
     

 

 

Jean Marc Nattier Madame Henriette playing the Gamba oil painting

Painting ID::  96104

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Jean Marc Nattier
Madame Henriette playing the Gamba
1754(1754) Medium oil on canvas cyf
   
   
     

 

 

Jean Marc Nattier Portrait of a Lady as a Vestal Virgin oil painting

Painting ID::  96359

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Jean Marc Nattier
Portrait of a Lady as a Vestal Virgin
18th century Medium oil on canvas Dimensions 146.8 X 114 cm cyf
   
   
     

 

 

Jean Marc Nattier Terpsichore oil painting

Painting ID::  96396

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Jean Marc Nattier
Terpsichore
1739(1739) Medium oil on canvas cyf
   
   
     

 

       Prev    1  2  3  4  5

 

Jean Marc Nattier
1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.