|
|
|
Jean Marc Nattier Thalia 1739
Medium Oil on canvas
Dimensions 135.9 x 124.5 cm
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Portrait of Charlotte Louise de Rohan as a vestal virgin Date ca. 1737(1737)
Medium Oil
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Anne de Bourbon Date 1731
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier daughter of Philippe II Date 1731
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Marc Nattier after 1750(1750)
Medium Oil on canvas
Dimensions 103 x 120 cm (40.6 x 47.2 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Mademoiselle de Sens Oil on canvas
Dimensions 81 x 65 cm (31.9 x 25.6 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Thalia Muse of Comedy 1739
Medium oil on canvas
Dimensions 135.9 x 124.5 cm
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Madame Henriette playing the Gamba 1754(1754)
Medium oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Portrait of a Lady as a Vestal Virgin 18th century
Medium oil on canvas
Dimensions 146.8 X 114 cm
cyf
|
|
|
|
|
|
|
|
|
|
Jean Marc Nattier Terpsichore 1739(1739)
Medium oil on canvas
cyf
|
|
|
|
|
|
|
|
| |
|
|
Jean Marc Nattier
|
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
|